ASSESSMENT
OF THE 2010 BORDEAUX VINTAGE AFTER THE EN PRIMEURS

Count
John Umberto Salvi MW
The
mammoth and massive En Primeurs tasting have now taken place and did
so from the 3rd
to the 8th
April. These tastings, which are all those of the latest vintage,
the 2010, are the result of market forces. Soon after the formation
of the Union des Grands Crus, which is a group of many of the most
prestigious châteaux, the Union instigated these tasting in
response to the huge demand of the ever growing market to taste,
evaluate, learn the prices and be able to buy the new wines. At
first it was just the Union tastings, but gradually, profiting from
the presence in Bordeaux of so many potential buyers, more and more
appellations and groups started to organise their own tastings at the
same time. Today every single one of the 50 or so appellations
contrôlées of Bordeaux has at least one tasting as well
as innumerable groups of properties and proprietors. It is
physically impossible to attend them all, especially as some of them,
such as the Crus Bourgeois, the Rive Droite and Saint Emilion, have
well over one hundred wines, which could take all day if one wanted
to taste them all. Everybody must choose those that are the most
important to his or her needs.
All
the most famous names in journalism and wine writing publish their
notes very soon after the tastings. Parker, Jancis Robinson,
Decanter and Wine Spectator to name but 4 out of many. Many of you
will have read and studied these. In this article I do not give
tasting notes. Those of the good and famous will be much more sought
after. What I do here is to try and assess the quality of the
vintage and explain WHY it is what it is and what makes it that way. I
start with the premise that each and every vintage is formed and
structured by the weather – the meteorological conditions. In
my previous article “Assessment of the Bordeaux Vintage BEFORE
the En Primeurs” I gave details of those weather conditions and
therefore I shall not do so again. Please refer to that article if
interested.
A
remark too good to omit was made at Château Mouton Rothschild.
“Some of the wines this year are a DNA of their classical
conception”. At Château Haut Brion they said “now
all the grapes are ripe the blending becomes more difficult”,
and at Château Latour we were told “you feel in the wine
that the skin is still wrapped round the tannins”. At Le Pin
we heard the comment “we would have liked to have waited a bit
longer, but keeping freshness won the day”. Vieux Château
Certan summed its vintage up by saying “2010 will be a great,
long-ageing wine”. Château Palmer stressed “the
mild water deficit helped the concentration and the September rains
hastened the skin ripening. Both Château Margaux and Cheval
Blanc commented on the stoppage of the vine in July. All interesting
and informative general comments, so let us take the principal
factors that structure a wine one by one.
RIPENESS
The
IBMP (3-isobutyl-2-méthoxypyrazine), without being technical,
is the principal molecule responsible for green pepper aromas
(unripeness), and according to Jean-Hubert Delon at Château
Léoville-Las Cases was well below the threshold at which a
human nose can detect it. In other words the grapes were ripe.
COLOUR
I
have rarely, if ever, seen such deep, intense and vivid colour in
new, red Bordeaux. The edges are a violent and vivid purple and the
body of the wine almost black. Where the grapes were phenolically
ripe, and this was the vast majority, the colour came out of the
grapes extremely fast. In fact, when I was visiting the cellars and
saw the fermenting vats, the colour was there after only 3-4 days. It
is important to remember that the grapes were small this year. This, of
course, means that the ratio of skins and pips to juice was
greater than if the grapes had been large. Also, in many cases, the
skins were relatively thick, which increased this ratio. The
colouring matter is in the skins in Cabernet and Merlot and therefore
there was plenty of it. Naturally some of the colouring matter will
precipitate, and the post fermentation maceration period helps to
stabilise the colour. However, whether this period was long or short
and whether it was kept at a higher or lower temperature, and also
whatever the amount of precipitation, the colours this year will be
deep, dark and intense. It is a hallmark of the 2010 vintage.
TANNINS
Here
we come to what, in my opinion, is perhaps the most important feature
of the red wines in 2010. Once again, like the colouring matter, the
tannins came out extremely fast in phenolically ripe grapes. So fast
in fact that Eric Tourbier, oenologist at Château Mouton
Rothschild, said that most of it was extracted while the juice in the
fermenting vats was still more or less an aqueous solution. We all
know that the best tannins are in the skins and that the harsher and
bitterer tannins are in the pips. Again the fact that the berries
were small and the skins relatively thick augmented the amount of
good tannin. The whole ball game this year was to do everything
softly, gently, slowly and with a delicate touch, in order to extract
just the right amount of fine, ripe and silky tannins and stop before
extracting the harsher ones. Talking to many oenologists and
producers it was interesting to discover how many different ways were
used to achieve this. Some decided not to do any pre-fermentation
maceration or cold soaking. Many did no délestage at all,
deeming it too brutal and encouraging extraction too fiercely. Eric
Tourbier did just one right at the beginning of the fermentation. Many
reduced the number of pumping-overs by up to 50%, or did short
little ones instead of full ones. I keep quoting Eric, because he
gave me so much precious information, but he invented a new system
that Château Mouton Rothschild has christened the “Tourbier
pump-over”, and which consists in spraying the cap with the
fermenting juice to moisten it and then putting the hose just under
the surface of the cap to break it up and disperse it, but without
sending the juice bubbling up from the bottom of the vat in order not
to disturb things too much. Perhaps the most significant adaption to
gentle extraction was to ferment at lower temperatures than usual. I
spoke to 1855 Classified Growths who fermented at a temperature as
low as 24°C. This of course slows down and prolongs the
fermentation and thus the extraction. Finally some growers lowered
the temperature in the vats during the post fermentation maceration
to stop any further extraction, but others maintained the temperature
under extremely close supervision. Perfect extraction, not too
little but above all not too much, required consummate skill and
sorted the men from the boys. It was a complex affair requiring very
precise decisions at exactly the right moment. Those who got it
exactly right have made some very great wines indeed, meriting the
rare 20/20 mark. One Château, Pichon Longueville, Comtesse de
Lalande, proudly quoted their anthocyanins as measuring between 1,000
-1,300 mg/l. I think tannins will also prove to be the one major
shortcoming of the less good 2010s. A number of wines were
over-extracted and had harsh, bitter and excessive tannins. In some
cases so much so that it is hard to see how they will ever soften.
Without a shadow of a doubt extraction control and tannin control
were the vital keys to great wine making this year.
There
is still a great deal that we do not understand about tannins and
their extremely complex molecular structure. A great deal of
research is being done and researchers have discovered that there are
numerous different tannins in the wine. Yves Glories, formerly the
doyen of the Bordeaux University of Oenology, invented what has
become known as the “Glories method” for measuring
tannins and today we use a measure known in France as the IPT (indice
des polyphénols totaux – indicator of total polyphenols
content). This year it was not so very high, although at 80 Mouton
claims that it was their highest ever. At Vieux Château Certan
it was 90, which is the highest that I came across. La Mission Haut
Brion said theirs was high, but then look at its alcoholic strength
below. Although this is very useful it has the drawback of not
distinguishing between the good and the bad tannins. A lot more
research is needed before we fully understand this vital component,
which among other components is one that gives a wine the potential
and the gift of long life.
ACIDS
This
is another component that gives a wine the ability to age long. It
is also absolutely vital for the balance of fine wine, for its
equilibrium and therefore its grace and beauty. This year was a
wonderful year for acidities. There are hundreds of different acids
in a wine, but we do not need to go into these in detail. Generally
speaking the pH varied from around 3.6 – 3.8. The higher the
pH, the lower the acidity, and the lower the pH, the higher the
acidity. pH stands for “potential Hydrogen”, but we have
no need to delve into this. The above are perfect.
One
of the most important features is the malo-lactic fermentation. To
keep things simple the malic acid is transformed by bacteria and much
of it ends up as lactic acid, which is much softer and gentler. It
is incredible today to think that when I studied oenology, under
Emile Peynaud in the 1950s, we did not know what the malo-lactic
fermentation was, and not knowing we did nothing to encourage it and
it often did not take place until spring. Today wine-makers wish it
to happen immediately following the alcoholic fermentation and a
scientist at Vancouver University has even discovered a yeast that
will make the malo-lactic fermentation take place at the same time as
the alcoholic fermentation. It has not yet proved itself and has not
been adopted. Paul Pontallier, at Château Margaux, said that
this year his total acidities were among his highest and was
intensely proud of it
Getting
back to 2010 the acid levels when the grapes were picked were
splendid. The reason for this was the very cool nights in September
and into October. These cool nights allowed the total acidity (which
is the measure generally used) to remain at optimum levels instead of
falling too low, which was often the case in 2009, particularly in
the white wines. When the acidity is too low the wine tastes heavy
and blowsy, but when the acidities are perfect the wine tastes fresh,
vibrant, and vigorous and the fruit is accentuated. This was the
case in 2010 and is another factor contributing to those fine,
elegant and balanced wines that scored 20/20.
SUGAR
The
word sugar sounds dreadful when talking about fine, dry red wine.
However it is the sugar that gives the alcohol so we cannot really
give it any other name. One of the problems here in Bordeaux, as
well as in many other wine producing regions, is the ever increasing
alcoholic strength of the wines. Gone are the days when the great
wines had 12° or 12.5° of alcohol and when one First Growth
nearly failed to be granted its appellation because the sugar in the
must did not reach the minimum legal level. Today, for many reasons,
the sugar in the must and therefore the alcoholic strength of the
finished wine is often higher by 2° or more. Better and more
vigorous clones, both of the American rootstock and of the French
varietal, better adaptation of the vine to the soil in which it is
planted, better and more accurate pruning and vastly improved canopy
management, all allied to global warming or at least to earlier
ripening over the last 10 years or more; all of these combine to
raise the sugar content in the ripe grapes. Approximately 17.0 –
17.5 grams of sugar will ferment into 1° of alcohol, so it is
easy to see how much richer the grape musts have become. This year
Château La Mission Haut Brion won hands-down with a wine of
15.1°. The alcoholic strength of Haut Brion was 14.6°,
Cheval Blanc and Palmer 14.5° and Latour 14.4, to mention just a
few.
There
are 3 main ways of reducing alcoholic strengths. The first is to add
water (forbidden!), the second is to allow the vine to produce much
heavier crops (maximum yields for Bordeaux appellations are also laid
down by law) and the third is to use one of the modern scientific
methods of removing alcohol from the finished wine. Charles
Chevallier, at Château Lafite, says that he would never dream
of using any one of the above methods as they would have disastrous
effects upon his wine. Very skilful viticulture can control some of
this increase but only some. We must accept the fact that the
alcoholic strengths of our wines are, and will be, considerably
higher than in the past. All this is leading up to saying, quite
simply, that in 2010 many growers experienced record richness in
their musts and therefore record high alcohol levels. Bernard de
Laage de Meux, Director of Development at Château Palmer, says
that is spite of this Bordeaux remained Bordeaux and remained both
balanced and elegant. The truth of this remark can be found in the
fact that one absolutely does not taste or become aware of the
alcohol while the wine is in the mouth and there is absolutely no
burn when it passes down the throat. Added to this, the perfect
acidities, already explained, give a lot of "tension" to
the wine, and help retain its freshness. Combining power with
finesse and elegance and freshness is one of the most difficult arts
of fine wine making and requires consummate skill. This is a year in
which this skill has been perfectly demonstrated and these very
powerful wines, with record high alcohols, do not appear in the very
least heavy or over-concentrated or alcoholic. The finest still
appear magnificently energetic!
FRUIT
This
is a general term and is not a precise and scientific element. However,
when grapes are picked in perfect health and at optimum
maturity the resultant wine, in the hands of a skilful wine-maker,
will have that wonderful vibrant quality that is like biting into a
fresh grape. It adds immensely to the quality, balance, energy and
raciness of a great wine, and was hugely responsible for the grace
and charm, and above all freshness, of the great 2010s. One of my
hobby horses is PURITY of fruit. Crystalline purity is hard to
achieve, but when achieved it is sublime and can make the difference
between excellent and great. Many wines in 2010 have this rare
quality, which comes from grapes picked in perfect condition, at
optimum maturity, and handled with skill and meticulous care and
attention to detail.
DRY
WHITE WINES
For
some reason, quite unfairly really, the white wines get much less
attention than the red wines. This is a real pity this year because
many of the dry white wines are excellent and the best simply
magnificent. Because of the cool nights the acidities remained at
perfect levels, and because of the difference in temperature between
night and day the flavour compounds were splendidly developed with
great complexity. The grapes, for the vast majority, were picked
during the first days of September under almost perfect weather
conditions, which was just one more plus to add to perfectly healthy
and ripe grapes. The wines have fine aromas of fruit and flowers,
generous and sometimes exotic. Above all they enjoy a magnificent,
vibrant and vigorous lemony minerality, which gives them great
expression, and deep, long, complex flavours in the mouth. The wines
are long, remain full of flavour on the end mouth and linger on the
aftertaste. While being superbly fresh and crisp they are deeply
satisfying and complete. This only happens in fine vintages, and
this is one of them.
SWEET
WHITE WINES
Whilst
growers of dry white wines had few or no worries in 2010, the growers
of the sweet wines did. This was because the dry weather delayed the
onset of botrytis cinerea and producers were beginning to worry
seriously that if the dry weather continued it would not develop at
all. Brief showers on 6th, 7th and 8th had proved not quite
sufficient. Fortunately the problem resolved itself with just
exactly the right amount of rain, around 10mm, from 21st
– 24th
September. From
this
moment on, especially as the grapes were in perfect health, the
botrytis developed rapidly, evenly and plentifully. This year there
was very little grey rot and to all intents and purposes no acid fly.
Very little of the harvest had to be discarded and therefore not
only were the wines great but the yields were generous. This was
doubly satisfying. It was also a very long vintage and at least one
Classed Growth told me that they did no less than 8 “tris”.
These because, due to the absence of the above mentioned grey rot or
any other spoilage, growers were able to wait calmly for optimum
botrytisation. I will give just three examples. Château
Suduiraut started on 22nd
September and finished on 9th
November with 5 “tris”. Château d’Yquem
started on 20th
September and picked the last botrytised grapes that went into the
d’Yquem on 29th
October, although the final grapes were harvested on 5th
November. Château Rieussec says “selective picking began
in mid-September with slow development of botrytis. This development
was checked in October by very cool temperatures, necessitating
delicate and highly selective harvesting. Then everything
accelerated in the last week of October. Fermentation required close
attention as sugar levels were somewhat high”. Their vintage
started on 15th
September and finished on 4th
November.
The
wines smell and taste of botrytis – that wonderful and ethereal
nose and flavour that is totally indescribable. As always, when the
sweet wines are great, they taste airy and even light. Most of them
have between 130 – 145 grams of residual sugar in them. Suduiraut
had 145 grams and d’Yquem 141, but you do not taste
them. The structure, balance and quality carry the sugar like a
feather. The greatest of them are again 20/20 and will develop into
magnificent seniors while being thoroughly enjoyable to drink as
juniors. Perfect, fresh, crisp, lemon-mineral acidities, allied to
finely developed botrytis and fine fruit from healthy grapes, have
given the great sweet wines of Bordeaux one of their years to be
remembered for longer than I shall live!
JUST
A WORD OF WARNING
In
a few cases, in certain soils and microclimates and for whatever
reasons, and these reasons may be complex, the Cabernet Sauvignon
refused to ripen fully. A few growers vintaged it as late as 25th
October in the north of the Médoc, and one Margaux property,
that shall remain nameless, vintaged its grapes into November! Whatever
the case and whatever the reasons the wine from these grapes
should be left out of the final blend if economically possible. Another
point is that not everybody took sufficiently into account
the shut-down that occurred in July in many vineyards due to the mild
drought, and thus mild hydric stress, and which also slowed down
maturation somewhat. Châteaux Margaux and Cheval Blanc
remarked particularly on this.
JUDGEMENT
I
would not presume to be the world’s greatest judge and, as I
said right at the beginning, there are many famous names who have
published their tasting notes, marks and judgements, which you will
have read by now and which carry infinitely more weight than mine.
However I have strong feelings and here they are. The best of the
2010 Red Wines are magnificent, balanced, elegant, gracious, long,
perfectly structured and truly great. 20/20. I have explained why
they could be so above. Because of the structure, acidities and
tannins they will age gracefully and last long – many, many
years. The main faults were over-extraction, harsh tannins and
picking too early, not having taken into account the shut-down in
July due to hydric stress. Fortunately these are the minority. In
my personal opinion, while somewhat less opulent and rich than 2009,
they have an added finesse, elegance and purity of fruit. The Dry
White Wines at their best are superb and show that Bordeaux today is
capable of making dry white wines to match any other region in the
world – something that was very much not the case 20 years ago.
The finest again score 20/20 and Haut Brion Blanc is a magnificent
example. The finest Sweet White Wines have unrivalled elegance and
purity of fruit, allied to airiness and deeply integrated botrytis.
They will last long and be delicious drinking both when young and
when old. The Red Wines will age somewhat more slowly and outlast
the 2009s and perhaps, when they reach their optimum, be finer than
the 2009s at the same stage. I have most carefully avoided talking
about prices and talked only about quality. These are wines that I
would like to have in my cellar at any price and enjoy watching them
age and grow in grace and beauty!